CAN creates outstanding art by, for, and with communities, that tells their stories and shares their lived experience.
Scroll through the online gallery, watch a film, listen to a podcast and share in the history of all the different communities CAN has worked with. Utilise the map function to browse via location or use the drop down menu to refine search results.
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Intercultural Lullabies is the coming together of Noongar and culturally and linguistically diverse families and communities to share Noongar lullabies and create lullabies in multiple languages.
Community Arts Network (CAN) is excited to partner with the City of Mandurah to present this inaugural Intercultural Lullabies project.
We welcome you to join in and sing!
Intercultural Lullabies builds on CAN’s Noongar Lullabies. Since 2015, CAN has been delivering a Noongar language revival arts program with Noongar families. The program has supported communities with preserving and promoting Noongar language and culture, moving towards a future where the next generation of Noongar children are lulled to sleep with songs in their traditional language.
Under the guidance of highly acclaimed Noongar musicians and language facilitators, Charmaine Councillor and Phil Bartlett, community groups
in Mandurah were invited to participate in Intercultural Lullabies. Over a three month period a series of workshops took place where groups created their own versions of Noongar lullabies, translating them into their own languages.
This participatory experience provided a way of transferring knowledge between community members with an overall aim of improving inclusion and understanding between people throughout the City of Mandurah.
This songbook is a celebration of this sharing and an opportunity for all of the community to learn languages and come together, as one, through song.
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These colourful language posters feature iconography and language important to Walyalup and surrounds created during Place Names Walyalup.
Through the decoding and sharing process, Noongar community created 35 artworks featuring iconography important to the Walyalup area. CAN has worked to honour the work of the community by creating posters that share their artwork and act as a fantastic educational resource that can be used to promote Noongar culture, heritage and creativity.
Order your copy online today or pick a copy up from the CAN office.
Poster layout based on CAN's Andalup Djedi poster by Rose Megirian
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This stunning interactive digital map enables you to explore the five place names with a simple click.
Community members were recorded by videographer Peter Cheng sharing the story and meaning of each placename decoded during the process.
Each of the animated icons links to video. You’ll be taken on a guided tour of each of these well known local locations, and you’ll learn about the ancient creation story that links them all.
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Place Names Walyalup is an inclusive community arts and cultural development project produced by CAN in partnership with Moodjar Consultancy, the Noongar community and the City of Fremantle.
Inspired by Professor Len Collard’s seminal research, CAN and Moodjar Consultancy have developed a community-led, creative model for decoding the ancient meanings embedded in placenames.
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Noongar artists Rod Garlett and Nathan Corunna worked alongside community artists Darren Hutchens and Lawry Halden to paint the Guildford Bridge Street station.
They were helped in the design and painting by members from the Moorditj Maaman Men's Group and Indigo Junction's Strong Fathers program.
This project was delivered in partnership with Water Corporation and the City of Swan.
WATCH
This beautiful mural celebrates the community’s connection to water, water conservation and the important role this plays in the future of Western Australia. CAN's project manager Darren Hutchens worked with Water Corporation to create a project that has been designed by and developed with the community. Working in partnership with community groups, including Edmund Rice Centre WA and White Lion WA, and artist Lawry Halden.
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In partnership with Water Corporation CAN transformed an everyday pump station into an artistic masterpiece that captured local and cultural perspectives on water use, flora and fauna and the local water story.
CAN’s Project Manager Darren Hutchens Artist and Lead Artist Lawry Halden - worked with young people from Whitelion WA and Edmund Rice Centre WA to develop a design for the water corporation pump house in Esperanto Harris Gibb Reserve in Westminster.
So far, 40 Water Corporation electrical cabinets and pump stations across the State have been transformed into community artworks through the Splash of Colour program.
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Andalap Djedi (Busselton Jetty) is a colourful language poster featuring a collage of painted sea creatures and their Noongar names.
CAN engaged a local language consultant to work alongside Busselton Primary School students and 22 community members to create the artwork.
The poster is a popular educational resource used to promote Noongar culture, heritage and creativity, with the poster available to be distributed far and wide by the CAN team.
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Kwobadak Maar (Beautiful Hands) presents the art and stories of the Northam Yorgas. Across October and November 2016, CAN ran an art and textiles project with the Northam Yorgas who shared their stories of the Wheatbelt through their stunning textile prints, woven sculptures and crafted objects.
Kwobadak Maar is dedicated to Norma Garlett (1955 – 2017).
The artists presented in this publication include Elaine Dickie, the late Norma Garlett, Frances Gillespie, Glenda Kickett, Janet Kickett, Yvonne Kickett, Cindy Moody, Deborah Moody and Sonia Stack.
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The Kwobadak Maar (Beautiful Hands) exhibition took over an empty shop front in the main street of Northam over the summer of 2016/ 2017.
The exhibition featured works by Elaine Dickie, the late Norma Garlett, Frances Gillespie, Glenda Kickett, Janet Kickett, Yvonne Kickett, Cindy Moody, Deborah Moody and Sonia Stack.
Across October and November 2016, CAN ran an art and textiles project with the Northam Yorgas who shared their stories of the Wheatbelt through their stunning textile prints, woven sculptures and crafted objects.
The Yorgas were invited to each create craft piece that shared a personal or local story. The Yorgas were supported to work with their existing skills and explore new craft techniques as they stitched, printed and wove to develop pieces that shared stories of country, childhood, and memories of Elders.
WATCH
Bilya Kep Waangkiny (River Water Stories) is a mesmerising performance of Noongar poetry accompanied by live music.
Bringing together new and known poetic voices, the performance weaves through verse musings and deeply personal stories from the Avon River, the Wheatbelt and beyond.
The poems featured in this series were written during CAN's Rekindling Stories on Country creative workshops with the Northam community.
Their live performances were complimented by musical accompaniments by professional musicians Ian Wilkes on Didgeridoo, Julia Watson on Violin, Anna Sarcich on Cello and Mark Turner on Guitar.
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An empty shop in the main street of York was converted to a gallery space for Clay Boodjar: Art and stories from the York community. Presented as part of the Act-Belong-Commit 2018 York Festival, the exhibition celebrates the work that has evolved from a year of community led art workshops with the York Noongar community.
Featuring the Noongar Farm Workers hand-built clay sculptures, the Welcome to Balardong map and animation, and mixed-media collage works.
Art and stories by Gail Airey, the late Colin Boundry, Alan Jones, Merlene Della Jones, Deborah Moody, Merle Narkle -Goodwin, Audrey Nettle, Graham Nettle, Lois Ralph, Steven Aiton, Jade Bateman, Dianne Jones, Bradley Kickett, Karlee Parnham, Kadeena Ryan, Myah Day, Indianna Kiernan, Zaniia Ryder, Breeanna Slater, Letisha Thompson & Jamelia Ugle.
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The Welcome to Balardong animation was produced during CAN's Rekindling Stories on Country program in York.
Director Mat Sav together elements from the program to create an impactful short film that shares previously untold stories about Noongar life in and around York.
Stop-motion animated sequences were created by animator Steve Aiton and Noongar artist Bradley Kickett, which were then blended with narration by community storytellers.
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Moorditj Maar Boodjar is a celebration of six Noongar Elders who came together to share stories and create clay sculptures that reference personal and family experiences in farming on Ballardong country, the Wheatbelt and beyond.
These works were showcased in CAN’s Clay Boodjar exhibition in September and October 2018 as part of the Act-Belong-Commit 2018 York Festival.
It was important to the group to craft their stories with local clay.
A bucket of red clay was sifted through and gathered from a pit behind the York Residency Museum. This was done with permission and supervision of Elder Merle Narkle Goodwin, and the museum. It was the very same clay pit that convicts once dug to make the bricks used to build the town. This was then blended with clay from local potter Stewart Scambler’s York property and Australian commercial clay, ready to be sculpted by the participants.
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In 2019, CAN partnered with Aboriginal football and leadership group the Djinda Falcons to deliver Boola Boola Birds, a multigenerational creative arts project that honoured Western Australia’s distinctive native birdlife.
Artists are credited with their Boola Boola Bird.
Project facilitators and artists Carol Foley, Lea Taylor, Matthew McVeigh and Steven Finch guided participants through the process of crafting woven birds and writing poems about birdlife, sharing practical skills and insights along the way.
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The Banksia is Lit is a collection born from sharing and listening, with words put to paper along the way.
For six weeks in 2018 and seven weeks in 2019, CAN ran a series of community
poetry workshops through its Rekindling Stories on Country
program. Every Saturday morning, Noongar community
members met at the Centre for Stories in Northbridge to
explore telling stories in poetic form.
Noongar Country in its various seasons, near and far, feature in these poems: summer afternoons at Scarborough Beach, rainy days near the Perth Hills, road trips through Ballardong Country, rooftop views over Northam. Poems of grief live alongside poems of contentment, exposure alongside shelter, roads alongside tracks, and creeks. These poems take you cloud-watching and train-riding, through worlds inside and out. The banksia features here too: in yarning circles the dried cone is lit and passed from person to person, an emblem of sharing and listening. Memory and emotion live in these pages, committed to paper by seven individuals discovering their voices in this form, and finding that it’s strong.
The poems are emanating out into the world. The banksia is lit.
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Ngala Daa-Waangkiny unified and amplified the voices of Rekindling Stories on Country participants with an innovative group exhibition and performance held during NAIDOC Week celebrations in 2019 at The State Theatre Centre of WA.
The event opened with a Welcome to Country by Doolan Leisha and Walter Eatts with poetry readings from Alf Taylor, Deb Moody, Cyndy Moody, Leanne Eades Garlett, Tony Walley, Jillian Moody, Sharon Wood-Kenney, Paige Kenney and Daniel Hansen.
The exhibition included an installation of woven birds from the Boola Boola Birds project, created in partnership with the Djinda Falcons, and screenings of the Bilya Kep Waangkiny Northam performance.
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The Kep Koorliny Poets performed a poetry reading at the Moon Cafe in Northbridge in December 2019.
This was the culmination of several weeks of poetry workshops for new and emerging Aboriginal and Torres Strait Islander poets.
This reading featured poetry from headliners Beni Bjah, Nita Jane and Barbara Hostalek as well as readings from new poets including Cyndy Moody, Jillian Moody and Daniel Slater among many others.
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Rooted in Freedom honours the expressions of Bla(c)k women writers currently residing within the Bibbulmun Nation. This collective body of work navigates the intersections between race, gender, personal narrative and the longing for freedom. It emerged from a series of writing workshops, guided by Dr Elfie Shiosaki, Brianne Yarran and N'Gadie Roberts, and was developed through the weaving of communities and the exchange of stories. This book is a celebration of Bla(c)k literature, a call for collective liberation and an offering of gratitude to the work of other Bla(c)k women who came before.
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This Kwobidak Maawit Songbook is the accompaniment to Kwobidak Maawit Album allowing you to sing or play along to the lullabies.
Kwobidak Maawit is a compilation of beautiful, heartfelt songs from families in Bunbury, in the South West of Western Australia. In the third edition of Lullabies, 19 songs were written and performed on site at Roelands Village in June 2018 and further developed in the following weeks with additional musical production. Written and performed in Noongar by each participant, the lullabies are a celebration of family and community life, and a legacy for future generations.
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A compilation of intimate Noongar songs from families in Mandurah, in the South West of Western Australia. In the fourth edition of Lullabies, seven songs were written at Nidjalla Waangan Mia in Mandurah and recorded at the John Butler Studio at Fairbridge, followed by further development and additional musical production by Charmaine Councillor and Phil Bartlett. Written and performed in Noongar by each participant, the songs are a celebration of the spirit of the land, ocean and love. The project was developed and delivered with local partners Nidjalla Waangan Mia and The Girls Academy at Coodanup College. The album was launched at Winjan Aboriginal Centre in December 2019, in partnership with the Winjan Aboriginal Corporation.
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This Nganyang Nyit Maawit Songbook is the accompaniment to Nganyang Nyit Maawit Album allowing you to sing or play along to the lullabies.
A compilation of intimate Noongar songs from families in Mandurah, in the South West of Western Australia. In the fourth edition of Lullabies, seven songs were written at Nidjalla Waangan Mia in Mandurah and recorded at the John Butler Studio at Fairbridge, followed by further development and additional musical production by Charmaine Councillor and Phil Bartlett. Written and performed in Noongar by each participant, the songs are a celebration of the spirit of the land, ocean and love.
The project was developed and delivered with local partners Nidjalla Waangan Mia and The Girls Academy at Coodanup College. The album was launched at Winjan Aboriginal Centre in December 2019, in partnership with the Winjan Aboriginal Corporation.
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Djinda Djinda – Noongar Lullabies Choir was a collaboration between two like-minded arts companies – CAN and The AWESOME Festival.
Together we are using the arts to create transformation and we both want to support communities to preserve and promote Noongar language and culture.
By learning and sharing the lullabies in this song book, you are helping to wake the language gently... taking a step towards a future where the next generation of Noongar children are lulled to sleep with songs sung in their traditional language.
WATCH
Experience Twinkle, Twinkle, Little Star in the traditional language of South Western Australia.
Djinda Djinda Kanangoor is a Noongar version of one of the much loved children's lullaby - Twinkle, Twinkle, Little Star.
The song was written and recorded by Gina Williams and Guy Ghouse as part of Community Arts Network's Lullabies—a music art and language program designed specifically for Aboriginal families to encourage language revival.
With less than 450 fluent Noongar speakers left, we hope this lullaby will inspire people to learn this beautiful, ancient language, so future generations of children can grow up hearing lullabies sung in their traditional language.
WATCH
This brilliant video captures just some of the moort (family), koort (heart) and woonya (love) from the Ngaalang Moort: Noongar Lullabies from Home launch at Fremantle Arts Centre.
It was a special evening under the trees as each lullaby from the album was shared with family, friends and the wider community. Thank you to Peter Cheng from Acid Flicks for capturing this perfect highlight of the event. Watch it and get a taste of what it was like to be there - moorditj!
WATCH
In 2020, when the world was turned on its head and we couldn’t all meet together, CAN took the Lullabies program online and directly into people’s homes.
During these online sessions, participants joined facilitators Charmaine Councillor and Phil Bartlett online to learn the basics of Noongar language and songwriting.
These words and phrases were shared during these online sessions.
We acknowledge that the spelling and interpretation of Noongar language can vary greatly from community to community.
LISTEN
Ngaalang Moort (Our Family) is a compilation of stunning lullabies created by Noongar families in 2020, when the world was turned on its head and we couldn’t all meet together. CAN took the program online and directly into people’s homes, where these talented participants joined facilitators Charmaine Councillor and Phil Bartlett online to learn the basics of Noongar language and songwriting. Once everyone had their song written and learnt, they recorded their vocals at home ready for final studio production by Charmaine, Phil and sound engineer / musician, Sean Lillico. The conditions make this album an even more remarkable achievement by everyone involved!
These 15 songs reflect the personal experiences of the people involved. They are a celebration of moort (family), koort (heart), woonya (love) and a legacy for all.
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This Ngaalang Moort Songbook is the accompaniment to Ngaalang Moort Album allowing you to sing along to the lullabies and learn the story behind the songs.
Ngaalang Moort (Our Family) is a compilation of stunning lullabies created by Noongar families in 2020, when the world was turned on its head and we couldn’t all meet together. CAN took the program online and directly into people’s homes, where these talented participants joined facilitators Charmaine Councillor and Phil Bartlett to learn the basics of Noongar language and songwriting.
Once everyone had their song written and learnt, they recorded their vocals at home ready for final studio production
by Charmaine, Phil and sound engineer /
musician, Sean Lillico. These conditions
make this album an even more remarkable
achievement by everyone involved!
These 15 songs reflect the personal experiences of the people involved. They are a celebration of moort (family), koort (heart), woonya (love) and are a legacy for all.
WATCH
Interviews on Goreng Country for the MULKA Place Names Katanning, filmed by Michael Jalaru Torres in August 2019.
Mulka Place Names Katanning is a creative exploration of the stories behind Noongar place naming in the Katanning area.
The story of Mulka is significant for its place within the greater Noongar Dreaming, a story that has been handed down for generations. Mulka’s story is found within the Noongar place names surrounding the Katanning area. The names of places are not so much a word but a sentence of deeper meanings embedded in boodja [country]. The morals of this story relate to the social organisation of the Noongar people including marriage laws, protection of koolangahs [children] and caring for boodja [country]; to preserve our continuity with our land and our people.
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Created during Place Names Langford, this textile map is a contemporary interpretation of land since settlement.
Textile artist Susie Vickery worked with the Langford Aboriginal Association’s women’s art and yarning circle, to stitch this large collaborative topographic tapestry map.
It’s inspired by the local area and sense of place; its significant flora and fauna, important natural resources, built areas over laying the land; and the connection to country embedded within culture and community life.
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Produced during Place Names Albany, Moodich Yorgas Yudarn Yarns was an exhibition of textile pieces that celebrated place, language, connection to country and women who have shaped the artists lives.
Noongar artist Caroline Narkle was guided by Menang Elders Lynette Knapp and Vernice Gillies to create a large-scale, art installation which was suspended from the ceiling. Aspiring weavers of all ages and abilities also contributed to the artwork and created their own pieces during workshops held in July 2018. Well known textile artists Kate Campbell-Pope and Maureen James featured in the exhibition.
The exhibition was held at the Vancouver Art Centre during NAIDOC 2018.
WATCH
‘Noongar Boodja’, is a documentary made by young Aboriginal people from Albany.
A stunning cinematic story with Noongar Elders that explores significant places, their Noongar names and culture in Albany and surrounding areas.
This film was developed as part of Community Arts Network (CAN) Place Names program, which looks to engage Noongar communities in exploring the meaning of language and culture through place.
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During Place Names Katanning CAN engaged animateur and puppeteer Karen Hethey to work with the community, Elders and more than 100 students. Together, they created two large-scale puppets of Mulka and Djinda and more than thirty coolbardie (magpie) puppets, building on their knowledge of Noongar and local history in the process. The meaning behind Katanning and surrounding place names was revealed to form part of a greater, significant Noongar story of Mulka.
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CAN and the Katanning Noongar Leadership Group proudly joined in hosting the community at an installation of language and artworks, featuring the magnificent Mulka and Djinda puppets, in the main street of Katanning.
Despite Covid-19 putting an end to the Harmony Festival parade in the town, community and visitors joined in the celebration of over 18 months work, displayed in a pop-up exhibition over the Harmony weekend.
Elders and community from the Great Southern towns of Katanning, Tambellup, Gnowangerup and Badgebup welcomed the wider community to learn about Noongar place naming in their area. Each place name was interpreted with its Noongar significance in what was an important experience for the whole community.
WATCH
This podcast compilation is a celebration of strength, resilience and cultural pride…. as told by the Yued community of Moora.
Narrated by Cyndy Moody and Daniel Hansen, this collection of stories was collected during Community Arts Network's Place Names project which explores the meanings of Noongar places.
These playful, poignant and precious stories are our nation’s hidden histories and remind us that this always was and always will be, Aboriginal land.
Credits: Produced by Michelle White (CAN) & Jeff Michael (100.9fm). Edited by Jemma King. Music: New Beginnings/Rain (royalty free). Artwork: Sandy McKendrick
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This podcast series is a celebration of strength, resilience and cultural pride…. as told by the Yued community of Moora.
Narrated by Cyndy Moody and Daniel Hansen, this collection of stories was collected during Community Arts Networks Place Names project which explores the meanings of Noongar places. These playful, poignant and precious stories are our nation’s hidden histories and remind us that this always was and always will be, Aboriginal land.
Credits: Produced by Michelle White (CAN) & Jeff Michael (100.9fm). Edited by Jemma King. Music: New Beginnings/Rain (royalty free). Artwork: Sandy McKendrick
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Kep Gabi: Stories from Yued Country exhibition opened on Friday, 25 September at Gardiner Street Arts Collective in Moora. The exhibition and book launch was an opportunity for Elders to pass on cultural knowledge to future generations of storytellers and share it with the wider Western Australian community.
The exhibition was visited by over 700 people.
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Kep Gabi: Stories from Yued Country is an intimate collection of anecdotes told by local Elders and community members about growing up in Moora and surrounding towns, celebrating strength, resilience and cultural pride by the Yued people of Moora.
Produced during Place Names Moora, Kep Gabi provides a local oral history that members of the Yued Noongar people have chosen to make visible. This action ensures that these stories are shared with future generations, and that all West Australians know the significance and meaning behind the local placenames and the land upon which we all now live.
These playful, poignant and precious stories are our nation’s hidden histories and remind us that this always was and always will be Aboriginal land.
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A collaboration between Community Arts Network, the City of Stirling and the Metropolitan Migrant Resource Centre, the Home project sought to create a welcoming space for women from culturally and linguistically diverse backgrounds to gather, share experiences and learn new craft skills during a series of workshops in Mirrabooka.
Textile artist Susie Vickery, jewellery-maker Sultana Shamshi, and Noongar artist Sharyn Egan guided the group through different stitching, wire-work and weaving techniques, as a passion for craftwork was awakened in many of the women.
Each week as the women explored what home meant for them, they drew creative inspiration from homelands they had left behind – which included Egypt, Eritrea, Palestine, Syria, Sudan and Iraq – and their new home situated on Noongar country. As the women shared stories of their homelands through their artworks, strong bonds developed, new friendships flourished and a passion for craftwork was awakened in many of the women.
This publication was also translated into Arabic which you can view here.
WATCH
Common Ground Returnsis a live performance of new, raw and powerful poems by a group of emerging spoken word poets.
The workshops were presented by CAN in 2018, in partnership with Multicultural Arts Victoria to give voice to people from diverse religious and ethnic.
“Its about finding our common ground… the stories and points of interest that bring us together, not set us apart.”Sukhjit Kaur Khalsa
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Kwobidak Maawit is a compilation of beautiful, heartfelt songs from families in Bunbury, in the South West of Western Australia. In the third edition of Lullabies, 19 songs were written and performed on site at Roelands Village in June 2018 and further developed in the following weeks with additional musical production. Written and performed in Noongar by each participant, the lullabies are a celebration of family and community life, and a legacy for future generations.
WATCH
Common Ground is a spoken word poetry workshop that brings young people from diverse backgrounds together to explore and express their identity through the art of poetry, to find the stories that bind us together.
Using a skills development approach pioneered by Multicultural Arts Victoria, CAN partnered with MAV to run a pilot of Common Ground in Perth.
With support from Propel Youth Arts, the State Theatre Centre of WA and Perth Institute of Contemporary Arts, CAN delivered the intensive workshop in October 2017, culminating in a showcase performance.
Under the expert guidance of renowned poet and performance artists Abdul Hammoud and Sukhjit Kaur Khalsa, five young emerging artists captivated the audience with their powerful works.
LISTEN
Recording and story edit by Bill Bunbury. Image: Mitchella Hutchins with her mother Vivian Webb, 2016
In 2016, Community Arts Network invited Aboriginal community members with a connection to Busselton to record their stories for the Bush Babies project series. The project also ran painting workshops with final pieces shown in the Keyen Koondarm (One Dream) exhibition.
LISTEN
Recording by Bill Bunbury, story edit by Jemma King. Image: Tessa Grimshaw, My Journey, acrylic on board, 2016
In 2016, Community Arts Network invited Aboriginal community members with a connection to Busselton to record their stories for the Bush Babies project series. The project also ran painting workshops with final pieces shown in the Keyen Koondarm (One Dream) exhibition.
LISTEN
Recording and story edit by Bill Bunbury. Image: Jack Hill with Nyungar Heritage plaque in Busselton.
In 2016, Community Arts Network invited Aboriginal community members with a connection to Busselton to record their stories for the Bush Babies project series. The project also ran painting workshops with final pieces shown in the Keyen Koondarm (One Dream) exhibition.
LISTEN
Recording and story edit by Bill Bunbury. Image: Samuel Isaacs, 1876, photo courtesy of Dr Robert Isaacs.
In 2016, Community Arts Network invited Aboriginal community members with a connection to Busselton to record their stories for the Bush Babies project series. The project also ran painting workshops with final pieces shown in the Keyen Koondarm (One Dream) exhibition.
LISTEN
Recording and story edit by Bill Bunbury. Image: Judy Weston, Poetry Dreaming, acrylic on board, 2016.
In 2016, Community Arts Network invited Aboriginal community members with a connection to Busselton to record their stories for the Bush Babies project series. The project also ran painting workshops with final pieces shown in the Keyen Koondarm (One Dream) exhibition.
LISTEN
Recording and story edit by Bill Bunbury. Image: Dr. Robert Isaacs at Clontarf Boys Town, Bentley, circa 1960.
In 2016, Community Arts Network invited Aboriginal community members with a connection to Busselton to record their stories for the Bush Babies project series. The project also ran painting workshops with final pieces shown in the Keyen Koondarm (One Dream) exhibition.
LISTEN
Recording by Bill Bunbury, story edit by Jemma King. Image: Amanda Bell, Santa, acrylic on board, 2016.
In 2016, Community Arts Network invited Aboriginal community members with a connection to Busselton to record their stories for the Bush Babies project series. The project also ran painting workshops with final pieces shown in the Keyen Koondarm (One Dream) exhibition.
LISTEN
Recording and story edit by Bill Bunbury. Image: Jenny Hill, Boolang (After Nan Alice Nannup), acrylic on board, 2016.
In 2016, Community Arts Network invited Aboriginal community members with a connection to Busselton to record their stories for the Bush Babies project series. The project also ran painting workshops with final pieces shown in the Keyen Koondarm (One Dream) exhibition.
LISTEN
Recording and story edit by Jemma King. Image: Gloria Hill, The Pride and Joy of My Life, acrylic on board, 2016.
In 2016, Community Arts Network invited Aboriginal community members with a connection to Busselton to record their stories for the Bush Babies project series. The project also ran painting workshops with final pieces shown in the Keyen Koondarm (One Dream) exhibition.
READ
Bush Babies on the River involved oral history recordings, painting workshops, photography, family history research and cultural mapping.
These community art gatherings brought people together to record and preserve the stories of Aboriginal families connected to Midland.
One of the participants, traditional owner and Swan River custodian, the late Albert Corunna, spoke of ancestral ties reaching as far back as legendary Noongar freedom fighter Yagan.
Other participants were born in communities across Noongar country, however, they all felt deeply connected to Midland and call it home.
The stories and artworks produced during Midland Bush Babies were compiled on a CD and booklet.
Hundreds of copies of the CD were handed back to community at the launch of the BORN ON COUNTRY exhibition at the Midland Junction Art Centre during NAIDOC Week 2016.
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CAN acknowledges the Noongar people of the Bibbulmun nation as the traditional custodians of the lands on which we work and live. We pay our respects to Elders past and present and honour all Aboriginal and Torres Strait Islanders as the first people of this nation. CAN is proud to work with people from all cultures, but we do so on the understanding of First Peoples, first.
Always was, always will be Aboriginal land.
